Immigration Photos: A Reimagining of European Masterpieces - The Daily Beast

Nissrine, a Moroccan girl, reads an application for an inburgeringscursus (citizenship course) at a closed window in this migrant version of Johannes Vermeer’s painting Girl Reading a Letter at an Open Window, Jan Banning

Xenophobia, and especially Islamophobia, is on the rise in many Europeancountries. In my native Netherlands, as well as in Italy, Austria, Denmark, and Hungary, for example, anti-immigration parties are involved in the national governments. In others, such as France, Sweden, Poland, and the Czech Republic, similar parties are represented in national parliaments. These anti-immigration parties have thrived on resentment, antiglobalism, rising inequalities, and the economic crisis with the resulting uncertainties, and are scapegoating non-Western immigrants.

Given these circumstances, I feel it is important to take a stand on these developments in European society, and mobilize against intolerance and narrow-mindedness. In this series (National Identities), based on national cultural symbols, I give immigrants a main role by using them as models in my photographic variations on classic iconic paintings. By doing this, I question the concept of homogeneous “national identities” of European countries.

The Party for Freedom in the Netherlands, with its political leader, Geert Wilders, demands strict measures against immigrants, presenting them as a safety risk for “ordinary Dutch citizens.” It demands that foreigners, especially if they are “nonwhite,” should assimilate and adapt to Dutch culture at breakneck speed or else pack up and leave.

But what is this supposedly monolithic and static national culture, in Holland and elsewhere? Migration is not a new phenomenon, and often immigrants have played an influential and constructive role in different sectors of society, such as economics and culture.